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Daido Moriyama : ウィキペディア英語版
Daidō Moriyama

is a Japanese photographer noted for his images depicting the breakdown of traditional values in post-war Japan.
Moriyama received the Infinity Award for Lifetime Achievement from the International Center of Photography in New York.〔(【引用サイトリンク】 accessdate = 24 December 2014 )
==Life and work==
Born in Ikeda, Osaka, Daidō Moriyama studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant to Eikoh Hosoe. He produced a collection of photographs, ''Nippon gekijō shashinchō'', which showed the darker sides of urban life and the less-seen parts of cities. In them, he attempted to show how life in certain areas was being left behind the other industrialised parts.
Moriyama's style is synonymous with that of Provoke magazine, which he was involved with in 1969, namely 'are, bure, bokeh', translated as 'grainy / rough, blurry, and out-of-focus'.〔"(For the sake of thought: Provoke, 1968–1970 )", Museum of Modern Art. Accessed 8 January 2015.〕
Moriyama's photography has been influenced by Seiryū Inoue, Shōmei Tōmatsu, William Klein, Andy Warhol,〔(【引用サイトリンク】Theme Magazine - Daido Moriyama Photographs His Beloved Shinjuku By Jiae Kim )Eikoh Hosoe, the Japanese writer Yukio Mishima, the dramatist Shūji Terayama,〔Philip Charrier, "The Making of a Hunter: Moriyama Daidō 1966-1972," History of Photography, Volume 34, Number 3 (August 2010): 268-290.〕 and Jack Kerouac's ''On the Road''.〔(【引用サイトリンク】Culture Vulture - Daido Moriyama: Stray Dog )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Daidō Moriyama」の詳細全文を読む



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